I’m rich, we’re both grown Gotta mail me your boyfriend at home Too high, I’m too gone If she don’t ride with the kid, I move on I’m just tryna find someone I can leave with I’m just tryna find someone I can leave with Wiz single-handedly carried this song, mainly due to his catchy and relatable hook. Kevin Gates – A Kevin Gates sighting? Well, kinda. Juicy said a lot more, but I’ll just let you listen for yourself. You a stupid a** n*gga, you should go f*ckin’ take a gun and put it to your brains and blow your own God damn brains out If you lookin’ for another n*gga to put food on your motherf*ckin’ table n*gga you dumb as f*ck. Yo n*gga keep it real with your motherf*ckin’ self and grind for your motherf*ckin’ self. In the outro, Juicy J had a very straight forward message for a certain kind of person: When you stay out and your chopper stay focused She gone be the best Do what you can when your team get a chance Put it all to the test Came for it all, know you heard this before but I don’t more less Grindin’, you fall now you done with the tour Get it all off your chest Hustlin’, hustlin’, hustlin’, hustlin’ That’s all they respect Hustlin’, hustlin’, hustlin’, hustlin’ That’s all they respect Hustlin’, hustlin’, hustlin’, hustlin’ That’s all they respect When you go hard You go hard and don’t stop until ain’t nothin’ left It provides you with the old Wiz feel due to the chill beat mixed in with an inspiring hook delivered from non other than K Camp: Juicy J & K Camp – This was a great way for Wiz to start off the mixtape. Without further ado, let’s dive into the tape. Features include Juicy J, K Camp, Curren$y, Chevy Woods, Yo Gotti, 2 Chainz and etc. In a play-off from his ‘ Cabin Fever’ series, the Pittsburgh stoner has blessed his fans with the third version. Nonetheless, Wiz teamed up with his Taylor Gang compadre, Ty Dolla $ign on a EP entitled, “ Talk About It In The Morning”. However, the modern day Snoop Dogg hasn’t released a solo project since “ 28 Grams” in the spring of 2014. On the other hand, Wiz has proven to stand the test of time.īack in the day, Wiz dropped classic mixtapes such as “ Flight School”, “Kush & Orange Juice”, and even more recently, “ Taylor Allerdice”. How often do we see artist become hot overnight and fizzle out in less than a few months?Įveryday there’s a new hot artist everyone rocks with and then you’ll never hear about them again. This is prime Sahdeeq – convincing head-nod hip-hop you can’t help but slam your head to – but mainly because he leans into his strong accent that’s tailor-made for rap.Wiz Khalifa is only 28-years-old, but you can’t treat him like one of these little dudes because he’s ten years deep in the game, which is something you can’t just brush to the side. “Thunderin’” is brief, yet brilliantly boisterous, and not hard to see why it’s the most streamed track here. The best track is “Masterpieces” – Sahdeeq injects menace into his delivery, to the point where you actually believe the ludicrous statement “all my releases are lyrical masterpieces”. “Unorthodox” is a bumpy start, but “Watch Ya Mouth” is typically tough, demonstrating Sahdeeq’s knack for delivering a tight, syllable-driven flow that excels alongside UG of the Cella Dwellas. If you’re expecting Nick Wiz from the 90s, there are countless releases that cater to that (this one, in particular, is recommended) but Wiz has tweaked his style over the years. “Cabin Fever”, much like its South Park artwork hints at, is an underground alternative that wilfully ignores society’s trends in favor of something genuine. As solid an emcee as he is, it’s hard to place him alongside the likes of Pharoahe Monch, Eminem, and Busta Rhymes, who worked with in the late 90s. He blew up with guest appearances on remixes and memorable tracks blended skilfully into classic Rawkus Records compilations. The two Polyrhythm Addicts albums are indeed excellent, yet also confirm why Sahdeeq’s star has never shone brightly on his solo material. The fact he has joined forces with Nick Wiz, himself notable for his output in the late 1990s for refining rather than defining the New York hip-hop many have yearned to recreate ever since. These include Polyrhythm Addicts’ “Rhyme Related” being “ widely regarded as a hip-hop classic”, and “Sahdeeq’s recent work has been receiving rave reviews in some of the biggest hip-hop publications”. The last statement had me intrigued as Sahdeeq is a name synonymous with Rawkus Records’ glory years in the late 1990s but not one that comes up much these days. You can always tell when an artist has updated their Wikipedia page, and upon a recent perusal of Shabaam Sahdeeq’s, it’s noteworthy how there are numerous “” statements following bold claims.
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